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The Show Will Be Open when The Show...
Wilfredo Prieto
Artists
Alain Séchas
Adam Carr
Wilfredo Prieto
Mungo Thomson
Francis Alÿs
Dennis Adams
Jennifer Allora & Guillermo Calzadilla
Guy Ben-Ner
Carlos Amorales
Fikret Atay
Zarina Bhimji
Martin Boyce
Olaf Breuning
Elina Brotherus
Maria Bussmann
Marcelo Cidade
Martin Creed
Tacita Dean
Taroop & Glabel 
Omer Fast
Mario Garcia Torres
Felix Gmelin
Pascal Grandmaison
Loris Gréaud
Alban Hajdinaj
Fabrice Hyber
John Isaacs
Valerie Jouve
Daria Martin
Allan McCollum
Jonathan Monk
Roman Ondák
Jean Luc Moulène
Jun Nguyen-Hatsushiba
Gabriel Orozco
Dominique Petitgand
Alain Séchas
Keith Tyson
Clemens Von Wedemeyer
Rapahaël Zarka
Toby Ziegler
Programme
The Last piece by John Fare
Mario Garcia Torres
1972
Jordan Wolfson
Pijnappel Pablo
Christiane Baumgartner
Preditions
Jiri Kovanda
San San, a conference by Jonah Freeman
Joachim Koester
Programme 2008
Programme 2008
SA: Week 1
SA: Week 2
Sofía Hernández Chong Cuy
SA: Week 4
SA: Week 5
ANDRÉ, Pablo Pijnappel
Walid Raad/The Atlas Group
John Menick
Simon Starling
Jason Dodge
Pavel Wolberg
Cosmin Costinas
Maria Fusco
Guillaume Leblon
Evariste Richer
Bruno Serralongue
Yto Barrada
Anthony Goicolea
Danh Vo
Miri Segal
Missing the gap
Aurélien Froment
Pierre Leguillon features
Aurélien Froment
Maria Fusco
Stéphane Calais
Michal Chelbin
Yael Bartana
Kristof Kintera
Danh Vo
Talk by Walead Beshty
Talk by John Menick
Interventions by Sven Luetticken and Simon Sheikh
Screening of «Fast Trip, Long Drop», a film by Gregg Bordowitz
Events at Musée de Montmartre
Conference by Lars Svendsen
Danh Vo
Capturing Time
Pierre Leguillon
Melvin Moti
Clifford Irving Show
Elizabeth McAlpine
Jennifer Teets
Goldin + Senneby
Patrick Bernier and Olive Martin
Mark Leckey
Hypnotic Show
Ulla von Brandenburg
Eleanor Antin
Michael Landy
Hans Peter Feldmann
Andrew Grassie
Anthony McCall
Keren Cytter
Dora Garcia
Michel Auder
David Maljkovic
Kennedy Browne
Point of view on the collection: Maria Fusco
Point of view on the collection: Sofia Hernandez Chong Cuy
Publication
Harrell Fletcher
Le Stade des Sirènes
Moser & Schwinger
Talk by Daniel McCLean
Trouble Factographies
Tala Madani
Walk in the Marly Forest with Angus Cameron
Ana laura Lopez de la Torre
Joe Scanlan
Harun Farocki
Szabolcs Kisspál
Goldin+Senneby
Matthew Darbyshire
Katerina Sedá
Ben Kinmont
Matti Braun
Thomas Kilpper
Trouble Factographies
Harrell Fletcher
Renzo Martens
Ben Kinmont
Katerina Sedá
Moser & Schwinger
Ana Laura Lopez de la Torre
The Decapitation of Money, Goldin+Senneby
Le Stade des Sirènes
Lars Laumann
Talk with Daniel McClean
Hypnotic Show
Ceal Floyer
Les Fleurs d'Intérieur
It's a right Heath Robinson Affair
Pierre Leguillon presents: " Diane Arbus : a printed retrospective 1960-1971"
Missing the Gap
André
SA:1
SA:2
SA:3
SA: 4
Prédictions
San San
A solo exhibition- By Mario Garcia Torres
1972, a proposal by Le Bureau
Programme
The Backroom Talks
Proposition de Colloque
The Last Piece by John Fare
Artur Zmijewski
The Show will be open when The Show...
This Place You See Has no Size... Programme
Performance Evening at Musée de Montmartre
Conference by Lars Svedsen
Publication
Goldin + Senneby
Etienne Chambaud
Aurélien Froment
L'exposition Lunatique
The Grip / La Mainmise : parallel programme
Pratchaya Phinthong
Parallel Events
Eric Dizambourg
Confer 1: Macaronistes
Francisco Camacho
Inauguration Kadist - San Francisco
Olive Martin et Patrick Bernier
Frédéric Moser & Philippe Schwinger
Detanico & Lain
John Wood & Paul Harrison
Mohamed Bourouissa
Tercerunquinto
Petra Bauer
Jochen Dehn
Maayan Amir & Ruti Sela
Confer 2: Jiw Jaew Jor Lok
Maaike Schoorel
Carey Young
Charlotte Moth
Lecture program
Geoffrey Farmer
Matteo Lucchetti
Pierre Leguillon
Ben Kinmont
Maayan Amir & Ruti Sela
Kitty Kraus
Amie Siegel
Tino Sehgal
Anri Sala
Olive Martin & Patrick Bernier
Thea Djordjadze
Rivane Neuenschwander
Michel François
Deimantas Narkevicius
Confer 3: Collection Cousine Cléptomane
Until It Makes Sense
Rossella Biscotti
publication Akram Zaatari
Camila Marambio
100 Notes - 100 Thoughts
Frédéric Moser & Philippe Schwinger
Enacting Populism
First Session
Audrey Bartis
Minsheng Art Museum
Discussion with Ernesto Laclau and davide Tarizzo
Panel discussion and performance
Foundation
Links

Alain Séchas

Alain Séchas

On Alain Séchas

« To me, art equals responsibility. » That is probably why Alain Séchas creates works according to the human scale, immediately evoking the human body. But rather than using the human figure, he chose that of the cat: a round-eyed feline which never smiles. « Doing cats becomes like a trap, so that we identify a lot with it (...) and all the imagery of the cat reappears: the Egyptian cat, comics, caricature etc. »

Chosen as our anthropological equivalent, the cat plays various characters, often provocative, and becomes the intermediary between the artist and the viewer. More than a mere sculpture, he is a drawing with volume, a motif which endlessly changes: « I have always said that my work was about drawing; a small drawing is as important as a large sculpture and its making is as difficult for me. » Falsely naive, the work of Alain Séchas stands out and opens our eyes, like his cat: « Forcing the viewer to see is to me the very definition of art », he says. With no complacency whatsoever.

For further information on the work, click on the image.


Alain Séchas

Biography

Alain Séchas

Alain Séchas was born in 1955 in Colombes, France. He works and lives in Paris.


Prêt à faire une gross bêtise - Alain Séchas - 2003
Prêt à faire une gross bêtise - Alain Séchas - 2003
acrylic on canvas (205x170cm) and polyester and acrylic (177x82x57cm)
A cat, standing like a human being, is looking at us with round and dazed eyes and holds a gun. In the background, we notice a range of unwelcoming buildings, closed in with barbwire. A sentence is inscribed inside of one of the clouds, as if it were a speech bubble, and comments —with hope or disillusion? —: « Ready to do something very bad ».
We are left speechless and worried in front of this situation in which Alain Séchas projects us directly and spontaneously. With this installation combining a painting and a sculpture, we are given all the burden of reality to carry on our backs. With Séchas, things are clear: at first sight, it is a straightforward joke; in the end, it leads to awareness and a sharp comment on society.

Coué 1 - Alain Séchas - 2006
Coué 1 - Alain Séchas - 2006
Installation with sound (144/130/21,5cm)
"Everyday in every way, I'm getting better and better"