..this was the plane - the variously large and accentuated, but always exactly determined plane - from which everything would be made...

Charlotte Moth, "..this was the plane - the variously large and accentuated, but always exactly determined plane - from which everything would be made...", 2012.

It is with the eye of a sculptor that Charlotte Moth records modernist architecture and its copies which she encounters during her trips and residences. Photographed in black and white, these architectures seem empty, out of time, and open to any interpretation.
The artist creates a classification of her species of spaces, called the “Travelogue”, which is both artwork and tool since it allows her to ceaselessly generate new works. The “Travelogue” creates a toing and froing between images, experiences, interpretations and histories.
Moth's work proposes a semiotic and phenomenological approach to space that engenders new interpretations and encourages a thinking process concerning the history of forms.

The Kadist collection owns her film The Absent Forms, shot on the rue Mallet-Stevens. Acquiring these silver gelatin photographs (...this was the plane—the variously large and accentuated, but always exactly determined plane—from which everything would be made... and Willa Niespodzianka) constitutes a coherent ensemble.
As in the film, the artist used black and white, not to provoke nostalgia but with a will to convene the creative spirit of the places she records and is inspired by.
There are here certain recurring motifs present in her oeuvre; such as the flat object which offers a surface for projections and interpretations, like a screen. The formal associations suggest new interpretations, the opposition between empty and full forms connect her photographic practice to that of the sculptor.

But these photographs are also like rumors that the artist is propagating. While she was invited on residency in Poland, the artist discovered an abandoned modernist villa and photographed it, then when she returned to continue her investigation, she discovered that it has been destroyed. Several temporalities are at work in this image, since the artist revisits landscape photography which is at once mental and fictional, present and absent.
As for the image of the famous empty plinth in the Parc des Buttes Chaumont, it is also part of a certain mythology of the city, “from which everything would be made”.

artforum.com-critics-picks-moth_0.pdf